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The Paloma Collection:


Paloma Berjano Torrado  
Soloist, Dance Alive National Ballet

 

Step into the world of Paloma Berjano Torrado and you’ll find yourself holding your breath. Onstage with Dance Alive National Ballet (2023–2026) under Kim Tuttle’s visionary direction, she moves as a soloist with a rare alchemy of steel and silk—every line etched with precision, every gesture alive with feeling. Watching her is like witnessing poetry in motion: the arc of an arm becomes a sentence, the lift of a chin a revelation.

 

Her journey to this radiant present began in the illustrious ranks of the Philadelphia Ballet Corps de Ballet, where Angel Corella’s exacting leadership forged her into the dancer she is today. Those years in one of America’s premier companies weren’t just training—they were a masterclass in discipline, musicality, and the quiet courage it takes to bare your soul eight shows a week.

 

The canon of classical ballet lives in Paloma’s bones. She has breathed life into the Sugar Plum Fairy in The Nutcracker, bled heartbreak as Juliet in Romeo and Juliet, shimmered across the lake in Swan Lake, and spun mischief through A Midsummer Night’s Dream, Cinderella, Sleeping Beauty, Don Quixote—each iconic role a new chapter in her love letter to the art form. Critics praise her technical fearlessness; audiences remember the way she makes a centuries-old story feel like it’s happening for the first time.

 

Beyond the footlights, Paloma’s brilliance has been tested—and triumphant—in the crucible of international competition. A finalist at the XXII National Dance Competition, Youth America Grand Prix, World Dance Fair, Dance World Cup, and Confederación Nacional de Danza, she dances with the hunger of someone who knows the stage is both battlefield and sanctuary.

 

Off-duty, the artistry never sleeps. You’ll find her lost in the swirl of a canvas, headphones on and paintbrush flying; chasing sunsets in far-flung cities; or turning sidewalks into runways in the kind of cool, curated outfits that make strangers smile. Paloma doesn’t just wear clothes—she inhabits them, the same way she inhabits every role, every brushstroke, every mile of the world she explores.

 

To watch Paloma Berjano Torrado is to remember why we fall in love with dance in the first place. She is grace in pursuit of greatness—and we’re all invited to the show.

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